ON THE SPECIFICS OF INNOVATION PROCESSES IN CHOREOGRAPHY: THE SOCIO-CULTURAL ASPECT
( Pp. 156-160)

More about authors
Andreeva Antonina V. kandidat filosofskih nauk, docent kafedry reklamy i socialno-kulturnoy deyatelnosti
Institute of Humanities, Siberian Federal University
Abstract:
The analysis of choreographic activities as part of the sociocultural space to identify the specifics of the innovation in this activity. Socio-philosophical analysis actors in choreographic activities shows the main transformations associated with change in essential points: the interaction space with the audience. The strengthening of the phenomenon of co-involvement becomes a key component of innovative changes. It is proved that the basis of innovation in choreographic activity belongs not only to the activity itself, but the space of subject-subject interaction with the audience.
How to Cite:
Andreeva A.V., (2019), ON THE SPECIFICS OF INNOVATION PROCESSES IN CHOREOGRAPHY: THE SOCIO-CULTURAL ASPECT. Sociopolitical Sciences, 1 => 156-160.
Reference list:
Triodin V. E. Sotsial no-kul turnaya deyatel nost : pro et contra// Vestnik Sankt-Peterburgskogo gosudarstvennogo universiteta kul tury i iskusstv. 2012. № 3. S. 40-45.
Andreeva A. V. Intellektual nyy dosug kak sfera polisub ektnogo vzaimodeystviya // Istoricheskie, filosofskie, politicheskie i yuridicheskie nauki, kul turologiya i iskusstvovedenie. Voprosy teorii i praktiki. 2014. № 12-3 (50). S. 13-16.
Nikiforova A. V. Sovety pedagoga klassicheskogo tantsa. Sankt-Peterburg, 2005. - 111 s.
Il in E. P. Emotsii i chuvstva. Osobennosti emotsional noy sfery u muzykantov i artistov - Sankt-Peterburg: Piter, 2001. - 752 s.
Bochkarev L. L. Sotsial no-pertseptivnye mekhanizmy muzykal nogo perezhivaniya // Voprosy psikhologii. - 1986. - № 3 (12). - S. 150-157.
Pashina A. X. KHudozhestvennyy i myslitel nyy tipy lichnosti: osobennosti emotsional noy sfery // Psikhologicheskiy zhurnal. 1994. - № 3. - C. 140-147
Dorfman L. YA. Emotsii v iskusstve: Teoreticheskie podkhody i empiricheskie issledovaniya - Moskva : Smysl, 1997. - 424 s.
Vysotskaya N.E. Obuslovlennost professional no znachimykh dlya artista baleta kachestv svoystvami temperamenta i nervnoy sistemy // Psikhofiziologiya. - Leningrad: 1979. - S. 20-31. (in Russ.)
Zakharov R. Sochinenie tantsa: stranitsy pedagogicheskogo opyta. - Moskva: Iskusstvo, 1983. - 224 s
Mayers D. Sotsial naya psikhologiya - Moskva: Piter, 2013. - 793 s.
Vil son G. Psikhologiya artisticheskoy deyatel nosti: Talanty i poklonniki. - Moskva : Kogito tsentr, 2001. - 383 s.
Ben yamin V. Proizvedenie iskusstva v epokhu ego tekhnicheskoy vosproizvodimosti: Izbrannye esse. - Moskva.: Medium, 1996. - 368 s.
Donova D.A. Teatr i zritel : strategicheskie osnovy vzaimootnosheniy : avtoreferat dis.. kandidata iskusstvovedeniya : 17.00.01 / Donova Dar ya Aleksandrovna; Mesto zashchity: Ros. akad. teatr. iskusstva (GITIS) . - Moskva, 2007. - 29 s.