The Reconceptualization of the Craft Workshop in Relation to «Arts and Sciences»
( Pp. 13-18)
More about authors
Sergey A. Azarenko
Dr. Sci. (Philos.), Prof
Ural Federal University the first President of Russia B. N. Yeltsin
Yekaterinburg, Russian Federation Andrei V. Keller Dr. Sci. (Hist.), Dr. phil
Ural Federal University the first President of Russia B. N. Yeltsin
Yekaterinburg, Russian Federation
Ural Federal University the first President of Russia B. N. Yeltsin
Yekaterinburg, Russian Federation Andrei V. Keller Dr. Sci. (Hist.), Dr. phil
Ural Federal University the first President of Russia B. N. Yeltsin
Yekaterinburg, Russian Federation
Abstract:
The well-established formula of «sciences and arts» contained the main principle of the knowledge structure of the eighteenth century, i.e. the combination of science and practice, science and technology, which meant a special place for the craft workshop as an experimental production space. At the same time, craft workshops, i.e. art chambers at the Academy of Sciences, turned into experimental laboratories of their time, where experimental science took shape. It marked the beginning of the industrial revolution, where fundamental (theory) and applied (practice) science in the development of industry and the entire economy played a decisive role. Peter I started a trend that is clearly visible today, which aimed to promote scientific achievements for the sphere of industry, using the creative potential of scientists, “artists”, artisans, and those referred to as technologists and engineers today. The study employs the methods of social topology.
How to Cite:
Azarenko S. A., Keller A. V. The Reconceptualization of the Craft Workshop in Relation to «Arts and Sciences»// HISTORY AND MODERN PERSPECTIVES. 2023. Vol. 5. №1. P. 13-18. (in Russ.) DOI: 10.33693/2658-4654-2023-5-1-13-18
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Azarenko S. A. Being-in-communication in the сontext of the synthetic paradigm // Pivovarov readings. Synthetic paradigm: science, philosophy, religious studies: materials conference. Yekaterinburg, 2019, pp. 13–16.
Azarenko S. A. Philosophy of history: textbook. Yekaterinburg: Ural University Press, 2021. 184 p.
Azarenko S. A., Keller A. V. Theoretical and methodological aspects of the social topology of the craft. Intellekt. Innovatsii. Investitsii. 2021. No 5, pp. 81–90.
Gize M. E. Essays on the history of art design in Russia in the 18th — beginning 20th centuries. Leningrad, 1978.
Danilevskiy V. V. Nartov and «Clear spectacle of machines». Moscow-Leningrad, 1958.
Zagorskiy F. N. Andrey Konstantinovich Nartov, 1693–1756. L., 1969. 166 p.
Keller A. V. Artifex Petersburgensis. Trades in St. Petersburg from the 18th to the Early 20th Centuries (administrative-legislative and socio-economic aspects): monografija. SPb., 2020. 630 p.
Tarnovsky K. N. Small industry in Russia in the late 19th — early 20th centuries. M., 1995, 267 p.
Epstein S. R. «Craft Guilds, Apprenticeship, and Technological Change in Preindustrial Europe». The Journal of Economic History, vol. 58, No. 3, Cambridge University Press, 1998, pp. 684–713.
Sloterdijk P. Der Mensch als homo technologicus. URL: https://www.youtube.com/watch?reload=9&v=-mVZbx0y6DA (обращение: 03.03.2019)].
Sloterdijk P. Du mußt Dein Leben ändern: über Anthropotechnik. Frankfurt a.M., 2009. 723 p.
Keywords:
Peter I; St. Petersburg; Academy of Sciences; craft chambers; arts and sciences; scientists and craftsmen; craft workshop; SME; social topology..
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