An Innovative Approach to the Social Management of Film Production: The Role Installation Method
( Pp. 173-178)
More about authors
Garaganov Artur V.
researcher, Center “Locomotives of Growth”, Department of Sociology
Financial University under the Government of the Russian Federation
Moscow, Russian Federation
Financial University under the Government of the Russian Federation
Moscow, Russian Federation
Abstract:
The article analyzes the current state of film production in Russia. It considers changes in the domestic film market, including government support, increased production volumes, and the development of online platforms. It notes problems associated with increased production costs and lack of time to prepare for a role. The paper presents an innovative approach called “role installation” for managing the preparation of actors for filming and shows its possibilities in the context of modern mass film production. The method is aimed at quickly and effectively immersing the actor in the role, taking into account time constraints and directors’ requirements. The author emphasizes the importance of a sociological approach in film production, which helps producers, actors, and directors understand the context and social atom of the images they create. The article touches upon the issues of transforming acting education and the position of cinematography in shaping public consciousness. The “role installation” method can become an effective tool in solving modern problems of film production, motivation, and joint project management, contributing to the creation of high-quality and socially significant content.
How to Cite:
Garaganov A.V. An Innovative Approach to the Social Management of Film Production: The Role Installation Method. Sociopolitical Sciences. 2024. Vol. 14. No. 5. Pр. 173–178. (In Rus.). DOI: 10.33693/2223-0092-2024-14-5-173-178. EDN: SJJOIO
Reference list:
Garaganov A.V. Methodology “role installation” as a psychological and pedagogical tool for developing the professional skills of film actors. Bulletin of the State University. 2024. No. 4. Pp. 140–155. (In Rus.). EDN: GQKJBJ.
Garaganov A.V., Razov P.V. Preferences of users of video services: Results of a sociological study of the reasons for watching videos “without plot and content”. Sociopolitical Sciences. 2023. Vol. 13. No. 6. Pp. 154–159. (In Rus.) DOI: 10.33693/2223-0092-2023-13-6-154-159. EDN: BXECXR.
Garaganov A.V. Sociology. Psychology. Pedagogy. Collection of scientific works in 3 vols. Vol. 2. St. Petersburg: National Research Center ART, 2023. 96 p. ISBN: 978-5-00231-010-4. DOI: 10.51623/00231-010.23. EDN: KFNXTH.
Zhukova N.I., Zhukov A.M. The importance and specificity of teaching acting for film and television directors. In: Culture, science and art – modern vectors of development of a university of culture. Materials of the VI international scientific-practical conference (Orel, October 18, 2022). Editorial Board: A.A. Annenkova, Yu.P. Soboleva, N.A. Ilyukhina, O.A. Barma. Oryol: Oryol State Institute of Culture, 2022.
Stanislavsky K.S. Directing and acting. Selected works. 1st ed. Moscow: Yurayt, 2019. 355 p. (Anthology of Thoughts). ISBN: 978-5-534-07266-2. EDN: ZMCYEC.
Malyshev V.S. New approaches to the study of the history of modern Russian cinema. Vestnik VGIK. 2022. Vol. 14. No. 2 (52). Pp. 8–18. (In Rus.) EDN: MAPOLN.
Funtusov V.P. On the issue of the procedural nature of stage creativity. Bulletin of the St. Petersburg State University of Culture and Arts. 2013. No. 3 (16). Pp. 044–054. (In Rus.)
Akhmadieva A.A. Theoretical features of studying cinema in sociology. In: Transformation of science and education in modern society: Theory and practice of interdisciplinary research (Moscow, January 15, 2024). Moscow: Scientific Paradigm, 2024.
Zhigalov M.V. Modern educational programs of the Sverdlovsk film studio as a way of training new creative personnel. In: New trends in the system of modern cultural education as the basis of ideological training. Materials of the International scientific and practical conference (Yekaterinburg, November 17–18, 2023). Ekaterinburg: Ural State Pedagogical University, 2024. Pp. 299–306. EDN: ITDVWS.
Stebakova A.A. The most typical problems of young authors when shooting a student film (based on the example of the Belarusian experience). In: Cinema of the young: Current problems of the industry. Materials of the International youth scientific and practical conference “Ascension” (project “Film education: joint educational projects of the CIS countries”) (Moscow, September 26, 2023). Moscow: All-Russian State University of Cinematography named after S.A. Gerasimova, 2023.
Krolivetsky E.N., Smirnov K.B. Factors and complex measures of influence on improving the quality and efficiency of film production. Petersburg Economic Journal. 2018. No. 2. Pp. 103–108. (In Rus.). EDN VARKMV.
Garaganov A.V., Razov P.V. Preferences of users of video services: Results of a sociological study of the reasons for watching videos “without plot and content”. Sociopolitical Sciences. 2023. Vol. 13. No. 6. Pp. 154–159. (In Rus.) DOI: 10.33693/2223-0092-2023-13-6-154-159. EDN: BXECXR.
Garaganov A.V. Sociology. Psychology. Pedagogy. Collection of scientific works in 3 vols. Vol. 2. St. Petersburg: National Research Center ART, 2023. 96 p. ISBN: 978-5-00231-010-4. DOI: 10.51623/00231-010.23. EDN: KFNXTH.
Zhukova N.I., Zhukov A.M. The importance and specificity of teaching acting for film and television directors. In: Culture, science and art – modern vectors of development of a university of culture. Materials of the VI international scientific-practical conference (Orel, October 18, 2022). Editorial Board: A.A. Annenkova, Yu.P. Soboleva, N.A. Ilyukhina, O.A. Barma. Oryol: Oryol State Institute of Culture, 2022.
Stanislavsky K.S. Directing and acting. Selected works. 1st ed. Moscow: Yurayt, 2019. 355 p. (Anthology of Thoughts). ISBN: 978-5-534-07266-2. EDN: ZMCYEC.
Malyshev V.S. New approaches to the study of the history of modern Russian cinema. Vestnik VGIK. 2022. Vol. 14. No. 2 (52). Pp. 8–18. (In Rus.) EDN: MAPOLN.
Funtusov V.P. On the issue of the procedural nature of stage creativity. Bulletin of the St. Petersburg State University of Culture and Arts. 2013. No. 3 (16). Pp. 044–054. (In Rus.)
Akhmadieva A.A. Theoretical features of studying cinema in sociology. In: Transformation of science and education in modern society: Theory and practice of interdisciplinary research (Moscow, January 15, 2024). Moscow: Scientific Paradigm, 2024.
Zhigalov M.V. Modern educational programs of the Sverdlovsk film studio as a way of training new creative personnel. In: New trends in the system of modern cultural education as the basis of ideological training. Materials of the International scientific and practical conference (Yekaterinburg, November 17–18, 2023). Ekaterinburg: Ural State Pedagogical University, 2024. Pp. 299–306. EDN: ITDVWS.
Stebakova A.A. The most typical problems of young authors when shooting a student film (based on the example of the Belarusian experience). In: Cinema of the young: Current problems of the industry. Materials of the International youth scientific and practical conference “Ascension” (project “Film education: joint educational projects of the CIS countries”) (Moscow, September 26, 2023). Moscow: All-Russian State University of Cinematography named after S.A. Gerasimova, 2023.
Krolivetsky E.N., Smirnov K.B. Factors and complex measures of influence on improving the quality and efficiency of film production. Petersburg Economic Journal. 2018. No. 2. Pp. 103–108. (In Rus.). EDN VARKMV.
Keywords:
role installation, sociology of management, neurosociology, social psychology, filmmaking, cinema, education.
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